(日本語) 《石を投げる 加速された2.5秒または消去された2.5秒》1971年Gallery Yamaki Fine Art is delighted to hold a retrospective exhibition of Michio FUKUOKA (1936-), one of the representative postwar artists in Japan. We will trace back his trajectory during 50 years with sculptures, drawings and photographic works, some of which will be shown for the first time.
Fukuoka was highly recognized as a leading figure of “anti-art” in the 60s, included in the historic group exhibition “Room in Alibi” (1966 Naiqua Gallery, Tokyo) curated by Yusuke Nakahara (1931-2011, one of the most influential Japanese art critics.) Recent years see the trend of reevaluation of his works, such as at Yokohama Triennale in 2014 and at his retrospective exhibition at The National Museum of Art, Osaka in 2017.
The title of this exhibition comes from Nakahara’s writing about Fukuoka. As Nakahara keenly acknowledged, Fukuoka’s whole work is the struggle to overcome hisincompatibility with society and art world, to integrate art and life in himself.
Fukuoka started his career in Osaka in the late 50s, in the age of high economic growth and activist movements flourished in Japan. Despite his uneasiness to keep creating while being remiss in “political” engagement, his “anti-art” experiment to resist the gravity and verticality of conventional sculptures led him to popular “Baloon” series in the 60s, his early signature works which symbolized hope and dismay surrounding the time.
From the mid 70s, his concept gradually shifted to his personal life, or fatigue from displaying “anti,” as if it were the response to the decline in Japan’s brilliant prosperity. The series in this period called “landscape sculptures” has become Fukuoka’s signature works. With his dairy scenery placed on black cubes sometimes humorously, these figurative-minimalistic works were revolutionary in two ways; as the three-dimensional figuration of landscape, which used to be represented only two-dimensionally, and as the response to the budding tendency of postmodernism by focusing on personal stories rather than predominant art history.
His attitude of “sculpture as the artist’s dairy” became more apparent with conceptual relief works from 90s, whose surfaces were covered with cynic words such as “I have nothing to do.” His repeated act of carving the same phrases indicates that his act of creation was turned into the accumulation of tiny labor in daily life. In this context, the sculpture of “seeds” in 2012, shown after his declaration as “a sculptor who no longer sculpts” in 2005, can be interpreted as the result of the integration of “living” and “creating” inside the artist. Generated only by his tactile sensation, this work makes the most fundamental, life-sized portrait of the artist, casting a profound question on the act of creation itself.
Persisting his “anti” against the self, society, and the art world, Fukuoka has always questioned what it is to be an artist. While cynicism and despair have made his scenery look black, Fukuoka’s artistic behavior so coherent as to merge into his personal life has enabled him to get beyond the restriction of the dominant narrative to establish his own expression. It is as if he had expected today’s contemporary art scene difficult to explain by the current of any ism or school. We hope this exhibition at our gallery will help to recognize the historical importance of Fukuoka’s whole activity as the most fascinating figure in “anti-art history.”
【Selected solo Exhibitions】
2022'Michio FUKUOKA Exhibition "Let's Smile"', Gallery Yamaki Fine Art, Kobe
2018'Michio FUKUOKA Exhibition "From the Scene of Black Color"', Gallery Yamaki Fine Art, Kobe
2017'A Sculptor Who No Longer Sculpts’, The National Museum of Art, Osaka
2016‘Words and Characters’, Gallery Hosokawa, Osaka
2013'My Face', Gallery Hosokawa, Osaka
2008'Kizashi -Michio Fukuoka From 1970's-1980's', Shinanobashi Gallery, Osaka
2008'Michio Fukuoka: Expression of Water' The Museum of Modern Art, Shiga
2005'Laughing Warm, Angry Warm', Art Space Niji, Kyoto
2005'Rotten Balls', Shinanobashi Gallery, Osaka
2001'Michio Fukuoka Nothing to Do' INAX Gallery, Tokyo
2000'Michio Fukuoka New Works: Should We Really Not be Scared?' Itami City Museum of Art,Hyogo
1979'Retrospective exhibition Michio Fukuoka’s World' Osaka Citizen’s Gallery, Osaka
1958'Michio Fukuoka' Hakuho Gallery, Osaka
【Selected Group Exhibitions】
2024“Relief to Three Dimensional" Gallery Yamaki Fine Art, Hyogo
2023Taipei Dangdai Art &Ideas', Gallery Yamaki Fine Art booth, Taiwan
2023"Concept – Object – Environment" Gallery Yamaki Fine Art, Hyogo
2022ＡＣＫ（Art Collaboration Kyoto) Gallery Yamaki Fine Art booth, Kyoto
2022'Back to 1972' Otani Memorial Art Museum, Nishinomiya City, Hyogo, Japan
2022‘Rewinding the MOT Collection Collection 2nd’ , Museum of Contemporary Art Tokyo, Japan
2022‘Collection 2: Our Life’, The National Museum of Art, Osaka, Japan
2019'Art Basel Hong Kong', Gallery Yamaki Fine Art booth, Hong Kong
2014'Yokohama Triennale 2014', Yokohama Museum of Art, Yokohama
2013‘Tamamono’, The Museum of Modern Art, Saitama
2012'The Link between Words and Art: An Homage to Nakahara Yusuke', Gallery Yamaki Fine Art, Kobe
1997'The 20th Anniversary Exhibition: From the Permanent Collection' The National Museum of Art, Osaka
1996'1964: A Turning Point in Japanese Art' Museum of Contemporary Art Tokyo, Tokyo
1993'Kosuke Kimura and Michio Fukuoka Exhibition' Kyoto Municipal Art Museum, Kyoto
1991'Japanese Anti-Art: Now and Then' The National Museum of Art, Osaka
1991'A Current of Contemporary Art in Japan-Sculpture' The Museum of Modern Art, Toyama
1986'White and Black in Contemporary Art' The Museum of Modern Art, Saitama
1985'4 Sculptors Exhibition' The Museum of Modern Art, Wakayama
1981'The 16th San Paulo Biennale' San Paulo, Brazil
1980'Asian Contemporary Art Exhibition' Fukuoka Art Museum, Fukuoka
1975'The 2nd Hakone Open-Air Museum Grand Prize Exhibition' The Hakone Open-Air Museum, Kanagawa
1972'Vesuvius Grand Strategy Exhibition' Minami Gallery, Tokyo / Galleria Il Centro, Naples
1972'A Bird’s-eye View on Contemporary Art' The National Museum of Modern Art, Kyoto
1970'Wins Kobe City Park Association Prize, the 2nd Biennale of Contemporary Sculpture Exhibition' Suma Rikyu Park, Kobe
1969'Contemporary World Art・Dialogues on East and West' The National Museum of Modern Art, Tokyo
1968'Contemporary Japanese Art Exhibition' I.C.A., London
1967'Wins the Mr. K Prize, The 2nd UBE Biennale International Sculpture Competition' Ube City Outdoor Sculpture Garden Museum, Ube
1966'New Generation of Contemporary Art' The National Museum of Modern Art, Tokyo
1964'Movement of Contemporary Art' The National Museum of Modern Art, Kyoto
1963'Absent Room' (curated by the art critic Yusuke Nakahara) Naika Gallery, Tokyo
1963'Katsuhiro Yamaguchi, Minami Tada, Michio Fukuoka Joint Exhibition' Shinjuku Daiichi Gallery, Tokyo
【Artist Information】
Michio FUKUOKA
SessionSat. Nov 17, 2018 - Sat. Dec 22, 2018 Closed on Sundays and Mondays
Hours11:00－13:00 / 14:00－19:00
PlaceGallery Yamaki Fine Art
Venue3-9-5-2F Motomachi, Chuo-ku, Kobe 650-0022
ContactTEL: 078-391-1666 FAX : 078-391-1667 MAIL: info@gyfa.co.jp
AccessOne minute walk from Motomachi Station, West exit (JR/ Hanshin Line)
ChargeFree
