Mitsuo MARUHASHI is an artist who was born in Kyoto in 1982 and is based in Hiroshima. Based on the theme of vision and perception, the artist evokes our daily action of recognize things, questioning the nebulousness of our recognition with the keyword of “perception comes from experiences.” His investigation and expression are realized mainly with sculptures and other media such as installations and movies without restriction of any single medium.
In Statues and Rods, one of his series or works, Maruhashi starts from the ideas regarding the characteristics of sculptures such as “Solid Closure*1” of cubic spaces or “Compactness*2” to evoke our awareness toward “fullness,” an impression which “things” will bring, trying to unframe it through installations. In Window Washing, a series of video works, the artist projects the movie of washing windows continuously, making us conscious of the boundary between the world inside the movie and our real world. Another series Images & Characters, in which letters of words are put directly on the things indicated by these words, brings strange but pleasant confusion by a slight confrontation of images and characters inside our recognition. In these ways, Maruhashi has consistently experimented pleasantly on the deviation from our usual visual experiences. The artist also pays attention to our change of life and perception; In a participatory project Window Washing Somewhere exhibited at Hiroshima City Museum of Contemporary Art, the artist presented a new way of interaction between artworks and viewers under the influences of COVID-19 by expanding the artwork to the devices of viewers such as smartphones and laptops.
ARTIST INFO
Mitsuo MARUHASHI

1982
born in Kyoto
2008
graduated from the Department of Sculpture, Faculty of Art, Hiroshima City University
2010
completed the Master's Course in Sculpture at Hiroshima City University
2011
「Plastic Training」 Hiroshima Art Center, Hiroshima
2017
「I’m seeing, baby」Hiroshima Art Center, Hiroshima
2017
「Behind The Color」 D. A. aura, Gwangju, South Korea
2019
「I’m seeing, baby」7T Gallery, Daegu, South Korea
2019
「Yes, I'm Seeing babe」Hiroshima City University Art Museum
2019
「Yes, I'm Seeing babe」BnA Alter Museum Kyoto
2021
「s ‘n r / s s ‘n c / w w 2」 Gallery Yamaki Fine Art, Kobe
2021
「I see letters」 Hiroshima Station Underground Show Window (Planning: Hiroshima City Museum of Contemporary Art)
2021
「Window Washing Somewhere」(Planned by: Hiroshima City Museum of Contemporary Art) Off-site participatory work
2012
「FOOD, CLOTHING, and SHELTER- Hiroshima meets Seoul」Seokyung University, Seoul
2012
「Sons and Daughters of Sun and Star」 Fort Worth Contemporary, Texas
2013
「Building Ecology」 Former Hiroshima Branch of the Bank of Japan, Former Hiroshima Hospital Outpatient Unit, A-bomb Survivor's Room, etc.
2014
「Everyday and Happiness」HIROSHIMA ART CENTER, hiroshima
2014
「GAMEX」 Embassy of Japan, Mexico City
2014
「SUNDOWNER」 CIRCUIT21、Dallas, Texas
2015
「Gorgissimo!」Réunion, Zürich, Switzerland
2015
「Tsushima Art Fantasia Hiroshima-Tsushima」Izumi Art Museum, Hiroshima
2017
「teleportation landscape」Art Gallery Miyauchi, Hiroshima
2018
「Outline of Sculpture」 Hiroshima City University Art Museum
2018
「The Window wherein I Dwell」 Busan Recycling Center, Busan
2018
「Scenery that cannot be seen」 Gallery Crossing 611、Hiroshima
2019
「Stationary open systems and three-dimensional closure」 Hiroshima Art Center
2019
「Seven Lamps of the Museum」Hiroshima City Museum of Contemporary Art
2019
「Two Rooms, Three Cases」Kyoto Art Center
2019
「Tsushima Art Fantasia 2019」Various locations in Itsukushima-cho, Tsushima City, Nagasaki
2019
「Scenery that cannot be seen」 Atelier onji, Tokyo
2020
「Tasty Sculpture」 Hatsukaichi Art Gallery , Hiroshima
2021
「Cranky Vitamins」 Hiroshima Art Center, Hiroshima